Charlie Parr w/ Samuel Locke Ward

xBk presents
Charlie Parr w/ Samuel Locke Ward

Sunday, May 19, 2024
Doors: 6pm | Show: 7pm

All Ages

Tickets: $22 ADV/ $25 DoS (+ Fees)

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ADD ON OPTIONS
(does not include ticket to the show):

Option 1: Floor High Top Table: $50 (+ Fees)

Option 2: Premium Floor Low-top Table: $60 (+ Fees)

Option 3: Mezzanine Lower Deck High Top Table:  $50 (+ Fees)

Exclusive reserved seating is offered for this event. Please note that the Reserved Table Add-On does not include a general admission ticket; therefore, each person must have their own general admission ticket for entry. To ensure your group sits together, we recommend reserving a table. Tables can comfortably accommodate up to four individuals. For the remaining tables, seating is available on a first-come, first-served basis

*All xBk shows are limited seating. If you require ADA accommodations please reach out to info@xbklive.com at least 2 days in advance of the show*

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CHARLIE PARR

In the music of Charlie Parr, there is a sincere conviction and earnest drive to create. The Minnesota-born guitarist, songwriter, and interpreter of traditional music has released 19 albums over two decades and has been known to perform up to 275 shows a year. Parr is a folk troubadour in the truest sense: taking to the road between shows, writing and rewriting songs as he plays, fueled by a belief that music is eternal and cannot be claimed or adequately explained. The bluesman poet pulls closely from the sights and sounds around him, his lyrical craftsmanship built by his influences. The sounds from his working-class upbringing—including Folkways legends such as Lead Belly and Woody Guthrie—imbue Parr’s music with stylistic echoes of blues and folk icons of decades past. Parr sees himself merely as a continuer of a folk tradition: “I feel like I stand on a lot of big shoulders,” he said in an interview. “I hope that I’ve brought a little bit of myself to the music.”

With a discography simultaneously transcendental in nature and grounded in roots music, Charlie Parr is the humble master of the 21st century folk tradition. Parr started recording in Duluth in 2002, where he lives today. Life in the port town on Lake Superior has a way of bleeding into his work the same way his childhood in Austin, Minnesota does. Parr self-released his debut album, Criminals and Sinners, and did the same for his sophomore album 1922 (2002). With growing popularity abroad, Parr signed with Red House Records in 2015, where he recorded break-out albums Stumpjumper (2015) and Dog (2017). Parr’s music has an overwhelming sense of being present and mindful, and his sound is timeless.

Parr’s mastery of his craft is only more apparent when contextualized within the history of folk tradition of which Parr has dedicated his practice The land and lives around and intersecting with Parr have always influenced him, from the hills and valleys of Hollandale, Minnesota to the Depression-era stories from his father. Parr strives to listen to everything: “I don’t see that I’d ever be capable of creating anything if it weren’t for these inspirations and influences, books and music as well as the weather and random interactions with strangers and animals. So, the well never runs dry as long as my eyes and ears are open,” Parr said in a 2020 interview. Before he was even 10 years old Parr was rummaging through his father’s record collection—sometimes drawing dinosaurs on the vinyl sleeves—and listening to country, folk, and blues legends, many of whom are staples in the Folkways catalog. When Parr sings and plays his resonator or 12-string, you can hear influences like Mance Lipscomb, Charley Patton, Spinder John Koerner, Rev. Gary Davis, and Dock Boggs. This is especially true in his playing, when, after a diagnosis of focal dystonia, Parr turned to greats like Davis, Doc Watson, and Booker White for two-finger picking inspiration. Gifted a 1965 Gibson B-45 12-string by his father, Parr has never had a formal lesson and learned by to listening records and watching musicians he admired.

Parr’s first album with Smithsonian Folkways, Last of Better Days Head (2021), foregrounded his lyrical craftsmanship and sophisticated bluesman confidence, with spare production highlighting Parr’s mastery of guitar and elevating his poetry. Last of Better Days Ahead is a portrait of how Parr saw the world in that moment, reflecting on time and memories that have past while holding an enduring desire to be present. In his 2024 release, Little Sun, Parr weaves together stories celebrating music, community, and communing with nature. Putting forth an ambitious and raw album that exemplifies the best of Parr's sound: a blend of the blues and folk traditions he continues to carry with him and the steadfast originality of a poet.

SAMUEL LOCKE WARD

Samuel Locke Ward is a veteran avant-pop songwriter, home taper and comic zine maker.  He has released over 60+ records both as a solo recording artist as well as recordings with bands and collaborators such as Miracles Of God, Kickass Tarantulas, Jad Fair and Samuel Locke Ward, BBJR + SLW, Boundless Relaxation and SLW cc Watt.  

Starting in the late 1990’s Locke Ward began a prolific home taping habit that has created an immense catalog of music starting out in the era of self released cassettes and moving on to CD, CD-R and vinyl.  The albums often found Locke Ward singing and playing all of the instruments himself as well as collaborating with a wide variety of musicians.  

Locke Ward’s newest record is the sprawling DIY double CD, “Rando Gtr Box”.  60 new songs of multitracked acoustic guitar music.   Each song in its own separate random tuning with spoken poetry and singing over the top. Songs were recorded loosely and quickly in an effort to detach from the shackles of theory, convention and “book learning”; causing a lifetime of motor memory to collide with the surprise of random sound and invention to create a music of the future as beautiful as it is calamitous.

In 2020 Locke Ward began a long distance home taper band with MiKe Watt renowned punk bassist of Minutemen and fIREHOSE.  In 2022 SLW cc Watt released the “Real Manic Time” LP on the Personal Archives label as well as the 45 song cassette tape EP “Let’s Build A Logjam”.  In July of 2023 they released their 3rd album “Purple Pie Plow” on the Kill Rock Stars label.

SLW also has an ongoing collaboration band with noise pop legend Jad Fair of Half Japanese simply titled Jad Fair and Samuel Locke Ward. 

Their first two critically acclaimed albums; “Happy Hearts” & “Destroy All Monsters” came out on Kill Rock Stars in 2023.