James McMurtry

Get your tickets today for James McMurtry

Doors at 7:30pm Show at 8:30pm

BettySoo opens the show.

TICKETS: Advance GA $25.00/ Day Of Show GA $30.00 / Reserved Booths $200.00 (admission not included) / Table Upgrades $100.00 (admission not included)

LIMITED SEATED SHOW - Expect to Stand - NO Seating GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.

PURCHASE OF BOOTH DOES NOT INCLUDE ADMITTANCE TO SHOW - ONLY RESERVES THE BOOTH (Booths can seat up to 4 people some may hold more. HOWEVER the number people in the booth is NOT guaranteed.) You and your party will all still need a General Admission ticket to get in to the show.

PURCHASE OF TABLE UPGRADE DOES NOT INCLUDE ADMITTANCE TO SHOW - ONLY RESERVES A TABLE (Tables can seat up to 4 people) You and your party will all still need a General Admission ticket to get in to the show.

Tickets for James McMurtry go fast so get yours today!

James McMurtry - 

Website -- Facebook --Twitter

AUSTIN, Texas — In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, out August 20, 2021 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”

The Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan (2012’s Tempest) and David Crosby (2016’s Lighthouse) as well as Browne himself for I’m Alive (1993) and New Found Glory, Coming Home (2006). McMurtry and Hogarth first worked together 30 years ago, when Hogarth was a recording engineer in the employ of John Mellencamp at Mellencamp’s own Belmont Studios near Bloomington, Indiana. Hogarth recorded McMurtry’s first two albums, Too Long in the Wasteland and Candyland, for Columbia Records and later mixed McMurtry’s first self-produced album, Saint Mary of the Woods, for Sugar Hill Records. Another veteran of those three releases, guitarist David Grissom (Joe Ely, John Mellencamp, Dixie Chicks), returns with some of his finest work.

BettySoo - 

Website -- Facebook -- Instagram -- Twitter -- YouTube -- Spotify

It’s the voice that gets you first. 

“BettySoo may well have the most gorgeous voice in Texas …if not in all contemporary folk – its purity and strength can be downright devastating.” – ACOUSTIC GUITAR 

BettySoo’s vocal prowess is a thing of wonder.  A world-class instrument of deft phrasing and purity, a voice that knows when to hold back and when to dive in.  At her own live shows, taking a verse onstage with friends or singing harmonies in sessions with Austin’s finest, BettySoo sings with consummate loveliness and self-assurance.  A voice that knows the roots of American music inside and out; coming from a most unexpected place – a diminutive Korean-American with a deceptively girl-next-door demeanor. 

Then the performance reels you in. 

“Truly remarkable. BettySoo’s sharp, often self-deprecating humor skillfully wove the songs together. Her clear, evocative voice and poignant lyrics recall Patty Griffin and Joni Mitchell, and did I mention she’s a hell of a guitar player?” 
– NO DEPRESSION, live concert review 

Touring the unforgiving circuit of listening rooms, clubs and festivals, BettySoo has mastered the art of performance.  A funny anecdote sets up a song of heartbreak and need; a witty rejoinder belies the dark truths that underpin much of her work.