Dec
06

Heartless Bastards @ HI-FI

HI-FI

Indianapolis, IN

Tickets

Tickets are not available.

Event Details

HEARTLESS BASTARDS W/ CARRIERS @ HI-FI INDIANAPOLIS

DOORS: 7:00 PM, SHOW: 8:00 PM

GENERAL ADMISSION, LIMITED SEATING.

AGE RESTRICTIONS: 18+ WITH VALID ID

ALL TICKETS ARE NON TRANSFERABLE AND NON REFUNDABLE. SUPPORT ACTS ARE SUBJECT TO CHANGE.

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About Heartless Bastards:

Listen | Watch Video

No salve soothes quite like music does. Like the ultimate balm, it releases tension and stress and
reinvigorates the spirit. With a warm patchwork of rock ‘n’ roll, psychedelia, folk, alternative, and blues,
Heartless Bastards unlock healing and catharsis within their music. Whether in the studio or on stage,
the Austin-based band fronted by vocalist, songwriter, multi-instrumentalist, and producer Erika
Wennerstrom calm as they captivate. After generating over 100 million total streams and enrapturing
audiences at legendary venues such as Red Rocks Amphitheatre, the group continue to connect with
listeners everywhere through boundary-breaking sonics and straight-from-the-heart lyrics.

“Music is medicine,” observes Erika. “It gives me a sense of purpose beyond just creating art. The idea
someone might find comfort in it or it can actually help another person is incredible to me. I don’t know
if I ever thought about it in those terms when I was younger. I’ve realized it over the years though.”

At the turn-of-the-century, Erika founded Heartless Bastards in Cincinnati, OH. Inspired by the likes of
Joan Jett, Bob Dylan, Tom Petty, and more, she cut early demos in 2003, performing the bulk of the
instruments herself. A bartending gig inspired the name Heartless Bastards. The bar’s touch screen game
posed the question, “What is Tom Petty’s backing band?” and offered “The Heartless Bastards” as an
answer option, so she accepted this humorous twist of fate and adopted it as her band’s moniker.

The band initially came to life with Stairs and Elevators in 2005, building a discography of fan favorites
highlighted by All This Time [2006], The Mountain [2009], and the seminal Arrow [2012]. The latter
captured #2 on the Billboard Top Independent Albums Chart, went Top 10 on the Tastemaker Albums
Chart, and even cracked the Top 200. “Only For You” notably amassed north of 42.6 million Spotify
streams and 17.2 million YouTube views. In the wake of the album, Time attested, “Wennerstrom’s voice
is one of the cornerstones of their success. It is tender even when it is severe, and she is unabashedly
soulful even when she rocks, almost as though she were at once performing a slow country ballad and
singing alongside Mark Bolan from T. Rex.”

Meanwhile, 2021’s A Beautiful Life arrived to widespread praise from Uncut, Glide, and Classic Rock with
Pitchfork going as far as to claim, “A Beautiful Life is her best album as a vocalist, as she finds new ways
to bend her voice to different styles and sounds.” In addition to sharing the stage with The Flaming Lips,
The Decemberists, Wolfmother, Lucinda Williams, and The Avett Brothers, they lit up festivals a la
Bonnaroo, Lollapalooza, Austin City Limits, Newport Folk Festival, High Sierra Music Festival, and more.
Through it all, Heartless Bastards constantly evolve.

“The vibe is pretty eclectic,” she goes on. “My voice ties it together. The earlier albums were a bit more
garage- and punk-influenced. We’ve drawn from classic rock, indie, and folk too. I love music, and I’m
always exploring sounds.”

In 2022, they celebrate the 10th anniversary of Arrow with a special limited-edition re-release on vinyl,
new acoustic recordings, and the addition of the previously unavailable “Got to Have Rock and Roll,”
“Parted Ways,” and “Bye Bye Baby Blues” originally by George “Little Hat” Jones.

“Arrow is the album that reached the most people,” she smiles. “It’s cool to celebrate the success of it
and give fans something else. The response to ‘Only For You’ made me feel connected to people
everywhere in a beautiful way. I’ll always be grateful for Arrow.”

In the end, Heartless Bastards might just be able to heal what ails you.

“Ultimately, I hope people enjoy themselves when they’re listening to our records or seeing us live,” she
leaves off. “Playing shows really brings me a lot of joy. I hope the connection translates. I’m ready to tour
a lot and release more music.”

About Carriers:

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Curt Kiser's voice and music exist comfortably in the liminal space that Cincinnati, OH occupies. Separated from Kentucky by the snaking bends of the Ohio River and owning a rich history of nascent musical trends that flowed out from here after being metabolized by the larger public. See: James Brown, Hank Williams "I'm So Lonesome I Could Cry," Bootsy Collins, L.A. Reid, Hi-Tek, the second non-Pacific Northwest band to be signed to Sub Pop (The Afghan Whigs!), the inventor of circuit bending and, yes, Brassland's co-founders (Aaron and Bryce Dessner from The National).

The unhurried nature of the songs on the Blue EP owe much to this sense of Cincinnati being between many worlds. An incubator of sounds that never quite feel at home here. Though existing in this liminality, the "grande, neo-psychedelic" work by Kiser never reaches for a grand metaphor when the he could state it plainly. While Carriers music often feels carried away in this slipstream — Carriers' guitar melodies are almost visible strands of air, bass and drums so lovingly present in the mix with their edges just barely sanded off; Kiser's voice— one that he admits struggling to find comfort in — has a distinct, earthy post-Laurel Canyon lilt to it. It sounds perfectly at home singing plain truths on "Patience" ("it's not always better on the other side"; "the chords I play bring the new day") and "Heaven's People." Lyrics on Blue strike on universal themes: love, patience, faith, family with unvarnished sincerity. No cloak and dagger metaphors. No piss-takes. "Heaven's People" is a touching rock ballad about family & faith. "Without You" is a chugging slow burner about love, life & sentimental feelings. Thad Kopek's IDM-adjacent, shape-shifting remix of "Peace of Mine" shows just how versatile Carriers' work can be. It all fits.

There is no better encapsulation of these themes than the video for "Patience." Featuring striking footage of Curt, Curt's family and familiar Cincinnati vistas and suburban streets that feel like family at this point, "Patience" is comprised of ephemeral moments that, if not captured, would go unappreciated forever. The sunset over Eden Park while the Curt let's out a "whoop" during the barn-burning outro. Amen Dunes channeling the last 2 minutes of The Blue Nile's "Downtown Lights"? Hell yeah.

For some the origin story of Carriers is canon. After the demise of Curt's successful indie rock band Pomegranates, Curt meets Bryan Devendorf while working at an ultra-regional pizza chain at the zoo, meets John Curley working a similar service industry job. They play together and end up making the powerful double LP Now Is The Time For Loving Me, Yourself & Everyone Else together. Sharon Van Etten, Band of Horses and The War on Drugs sing it's praise. Shows with Big Thief, Sam Evian, Choir Boy, Damien Jurado, Simon Joyner follow. And here we are, the Blue EP serving as an autumn introduction or re-introduction before a forthcoming release on NYC's Brassland Records. Curt Kiser's music career up to this point has been nothing but not patient.

For The National fans, Curt returned the favor contributing to several key tracks on The National's newest albums Laugh Track - "Dreaming" & The First Two Pages of Frankenstein — "The Alcott" feat Taylor Swift, "Your Mind Is Not Your Friend" feat. Phoebe Bridgers and fan favorites "Eucalyptus" and "This Isn't Helping".