Buffalo Nichols

Get your tickets today for Buffalo Nichols

Doors at 7:00pm Show at 8:00pm

Jude Brothers to open the show.

TICKETS: Advance GA $17.00/ Day Of Show GA $22.00 / Reserved Booths $90.00 (admission not included)

LIMITED SEATED SHOW - Expect to Stand - NO Seating GUARANTEED. Any Seating Available is on a First Come, First Served Basis. NO REFUNDS all sales final.

PURCHASE OF BOOTH DOES NOT INCLUDE ADMITTANCE TO SHOW - ONLY RESERVES THE BOOTH (Booths can seat up to 4 people some may hold more. HOWEVER the number people in the booth is NOT guaranteed.) You and your party will all still need a General Admission ticket to get in to the show.

Ages 18 and up - All Minors Will Be Charged an Additional $5 At the Door. 17 & Under Admitted with Parent or Guardian Only.

Tickets for Buffalo Nichols go fast so get yours today!

Buffalo Nichols - 

Website -- Facebook -- Instagram -- Twitter -- YouTube

On his second album, The Fatalist, Carl “Buffalo” Nichols does things with the blues that might catch you off guard. There’s 808 programming, chopped up Charley Patton samples, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of the music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st century music by simply dressing it with skittering hi-hats. Nichols’ vision for the blues is of a form of music that’s intimately tied to everyday life in 2023, something that’s reflected not only in the choice of instrumentation, but in the complexities of the songwriting and the gray areas his lyrics explore. This is music that comes straight from the present, and as such, it’s a reminder that the same shit that drove the first blues singers to pick up a guitar is still present behind the throbs of deep bass hits today. The Fatalist sounds unlike any blues record you’re likely to hear in 2023.

Of course, Nichols’ songwriting has always been firmly rooted in the present. He proved he could succeed on the music industry’s own blues terms on his self-titled 2021 debut, whose songs, Bandcamp Daily said, “seem to flow from some great repository of emotion and insight.” The Fatalist finds him digging deeper in search of answers to ever-more-complicated questions around responsibility and self-definition, his plainspoken lyrics both cutting and refreshing in their sincerity and refusal to accept pat solutions. Over a guitar line that blisters and pops with bright sunshine, he holds forth on the simple everyday power of love in “Love is All,” and when he shades his optimism with a clear-eyed view of “bad behavior in the canon of good men,” as he sings, his guitar line goes cloudy with the thought. He slowly walks around a broken relationship in “The Difference,” trying to find the faults. It’s a decidedly modern breakup song, one steeped in moral ambiguity. “I just don’t know the difference between love and sympathy,” he sings, before hoping his once-beloved “won’t forget the one who kept your ego fed.”

Still, Nichols rarely sounds like a blues singer. Like Leonard Cohen, he dominates these songs with his voice. His low, guttural baritone is high in the mix, and he sounds coiled, clenched tight. The slow drip of his songwriting lends The Fatalist an incredible amount of drama, which the production—at times dark and dewy and claustrophobic, at times zippy with light—further emphasizes.

Jude Brothers - 

Website -- Facebook -- Instagram -- Spotify -- YouTube

Blending traditional sensibilities with contemporary concerns, render tender / blunder sunder arrives ready to propel listeners into the heart of songwriter Jude Brothers’ rich emotional experience – journeying through the underworld of doubt, longing, heart-break, and loss of identity, and arriving on the other side lighter, at a place of expansiveness and healing. 

Recorded over two days in a light-filled and scrub-jay surrounded room on a mesa in Lamy, New Mexico, the album is suffused Brothers’ extended search for space, clarity, and expression following profound grief and doubt in the bizarre and often-public end of a long and fruitful romantic and musical partnership. Listeners accompany Brothers as they move through the dismantling of both artistic and private dreams and identities, confronting the reality of separation, and reasserting their distinct creative voice.